designlog - BlogOye

Tipografska literatura

Tipografska literatura:

F. Mesaroš, Tipografski priručnik, GOC, Zagreb, 1985
H. S. Warford, Design for Print Production, Focal Press, London
Robert Bringhurst: The elements of typographic style

10:02 , 16.5.2008 > Kategorija: Newspaper design | 0 komentara | Link

Font lista

HELVETICA (Max Miedinger, 1957)

Interstate (Tobias Frere-Jones 1993, FontBureau) VIDI

Stag (Christian Swartz) > VIDI

Arnheim (Ourtype) >VIDI

Mercury ( Hoefler & Frere-Jones ) VIDI

AMPLITUDE (Christian Swartz 2003) > VIDI

GOTHAM (Hoefler & Frere-Jones) > VIDI

FRUTIGER ( Liinotype) >VIDI

FUTURA (Paul Renner 1925)

Akzidenz Grotesk (Günter Gerhard Lange, 1966-1972)

ITC OFFICINA Sans&Serif ( Erik Spiekermann 1990)

FF DIN (Albert-Jan Pool 1995)

Zapfino (Hermann Zapf Anfang 1994 )

Hands (Leterror 1991)

SWIFT (Gerard-Unger 1987)

Bell Centennial (Matthew Carter 1978)

Avenir (Adrian Frutiger 1988) Avenir Next (2004)

TRAJAN (Carol Twombly 1989)

House Gothic (Tal Lemming 1995)

Caecilia (Peter Matthias Noordzij 1990)

Miller (Matthew Carter 1997)

Clarendon (Benjamin Fox 1845)

Cézanne (Want+Kegler 1995)

Graphik (Christian Schwartz 2008)

The heavy end of the family is based in part on Paul Renner’s Plak, a relatively obscure display typeface cut only in large sizes of woodtype, that is related to his heavier weights of Futura but has rounder, friendlier, fatter proportions

Archer (Hoefler & Frere-Jones)

Sweet but not saccharine, earnest but not grave, Archer is designed to hit just the right notes of forthrightness, credibility, and charm. When Martha Stewart Living asked us to develop a new typeface for the magazine, it seemed that a slab serif could answer much of the brief

Mercury: (Hoefler & Frere-Jones) high performance meets high style.